Though the novel is a comparatively short in length, Gabriel Garcia Marquez crafted his Chronicle of a Death Foretold to be a compound description of a little Latin American village. It is the reason of this paper to portray and analyze the roles that honour code and tradition assume in the chain of events that culminate in Santiago Nasar’s passing away. The book can be read as a story entailing the sins caused by obsolete philosophy or as a tribute of penitence following such a sordid matter. Nevertheless, the main concern is how the whole city allows a kill to turn out even though it is openly announced and ample chance is given to avoid of it. It will be exposed here that hypocritical honour codes are to censure for this ghastly act.
During the novel, each human being in the village is given a possibility to stop the murder; still little is done to stand in the way of the perpetrators of the offence. It is habit for women to stay righteous until married. Breakdown to do so results in general contempt and dishonour. Hypocrisy in this rehearsal is seen by the actions of the men of the city. They are allowed to be immoral and to call the prostitutes. As an illustration, the city whore is portrayed by the storyteller as “she who did away with [his] generation’s chastity”. Paradoxically, even though she is a prostitute, she is the only woman who seems to run away the binds of tradition and traditional values.
In reality, Santiago is an exact womanizer himself, “nipping the bud of any wilful virgin”. This follows suit with the town’s approval of the Angela Vicario naming him to be the one who violated her and then dishonoured her family’s name. Out of date philosophy is so entrenched in the town’s traditions that the killers, Pablo and Pedro Vicario, are finally absolved of the offence and spend only three years in jail.
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