Different Aspects of the Plays “So long a Letter” and “Mother Courage

<h1>Different Aspects of the Plays “So long a Letter” and “Mother Courage</h1>

<p align=right>by Andrew Schwartz</p>

<div align=justify>The plot of the play “So long a Letter” declines the sense of traditional values. Having no desire to limit her children culturally, more up to date aspects of life restore old ideas of Ramatoulaye. When she sees her behavior as for her children, she realizes that it is not correct and she feels responsibility as part of her motherly instinct. The anxiety between the audience and actors is produced because of the fact that her ideals are not constant, implying that her maternal values are also affected by this changes as well. The author used this method especially for the purpose to isolate the character from the sympathy of the audience. The common trait of both plays is that the maternal instinct is revealed not only to the children, but also to the other characters of the play.

The maternal instinct to the other objects is used to call for the sympathy of the audience and bring it closer to the image of Ramatoulaye. The way Ramatoulaye treats other characters makes the reader and the audience to be involved and touched emotionally. A different point of view is made by means of the usage of the maternal instinct to the inanimate objects. Another way of comparison can be made through the observation of how characters treat each other. For example, when Kattrin finds one more young being her maternal instinct unexpectedly appears she wants to rescue it. One more factor, which influences the attitude of the audience, is the tone of presentation. Mother Courage speaks in harsh loud voice and unpleasant way of forming her proposal creates the tension between her and the audience. As each scene is used for itself the spectacles observe the changing of the scenes from one to another and the variety of characters made them realize the importance of money, associated them with human life.</div>

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