How Not To Get Published

<h1>How Not To Get Published</h1>

by Michael LaRocca

<div align=justify>How Not To Get Published
 
Copyright 2001 Michael LaRocca

If someone had told me in 2000 that I'd publish four books in
 
2001, I'd have called him an eejit.

The last time I'd been published was 1989, and that doesn't
 
count because I paid someone to do it. I'd long since given up
 
on getting published again. In fact, I doubted I'd ever write
 
again.

By now you may wonder how I made it from Point A to Point B.
 
Or for that matter, why I stopped writing.

The second part is simple. I was chasing money, becoming a
 
high-powered businessman and losing myself. The first part is
 
a little more difficult to explain.

In December 1999, I flew to Hong Kong for a vacation. The
 
first vacation in my life, really. I intended to stay for a
 
month. Instead, I married an Australian who taught English there.
 
I quit my job in North Carolina by email.

I found myself unable to legally work in Hong Kong. So what was
 
I to do with my time? I dusted off a childhood dream and resumed
 
writing.

I had a slush pile full of old short stories, and I ran them
 
through the on-line writing workshops. There are two parts to
 
writing--story and style. I wasn't changing my stories--they came
 
from me and were what I wanted to write--but my style was
 
pathetic. Style is also the part that can be learned. So I did.

Then came something that amazed me. New stories. Mixing with the
 
"writing culture" got my creative juices flowing again. After all
 
those years. Better than ever, in fact.

Next, I published them. Between March and December 2000, I
 
published twenty stories in twenty different e-zines. I only
 
made $6, but I was building my resume. I believed that I had a
 
short story anthology in me, and I'd decided to try publishing
 
it. I felt I needed a "track record," so I got one.

I also had a novel in my slush pile. A gripping imaginative
 
story, badly told. But I'd finally learned about the craft, the
 
structure, and the hard work that comes after that original
 
flash of inspiration.

You see where I'm leading by now. I wrote two new novels, and
 
signed contracts to publish all three novels plus the new
 
short story collection in 2001.

It's a common sight among new writers, and really it's a bit
 
sad. People who have the story--the part that can't be
 
learned--but tell it badly. They rush in on the adrenaline
 
high that authors know so well, then get rejected and give up.

What defines a great story? That depends on which reader you
 
ask. If you're writing a story that moves you, someone
 
somewhere with similar tastes will like it. Some stories will
 
be more popular than others, but almost every story will be
 
considered great by someone. But if it's badly written, the
 
reader will simply put the book down and read something else.

As a teenaged author, gathering up enough rejection slips to
 
wallpaper the room, I didn't give up. I just got arrogant and
 
decided "You don't understand me, ya eejit." That's no
 
solution. Nor is paying to be published.

Nope, if you want to get published, learn how to tell your
 
story. Spelling, grammar, punctuation, pacing, dialogue... all
 
that stuff you may have slept through in high school will become
 
second nature with enough practice.

I did quite well in high school English, by the way, but it's
 
not like they taught pacing and dialogue and real story-
 
telling there. To learn those, you've gotta read. But that's no
 
problem for an author. If you don't enjoy reading, you can't
 
write something that others will enjoy reading.

Also, you must listen to the criticisms. Accept some and
 
reject others, but always listen. I believe the Internet makes
 
it much easier to get those criticisms.

I work as an editor now, and one of my authors told me that he
 
sees movies inside his head. It shows in his writing! I don't
 
write that way, unfortunately, but I still know how he feels.
 
When "the Muse" pays me a visit, I've gotta write it down as
 
fast as it comes to me. That's the one part that can't be
 
packaged, taught or mass-produced. That part comes from you,
 
the author, and no one else can do it the way that you do.

Kurt Vonnegut, whose works I greatly admire, writes one
 
sentence at a time, and makes each one perfect before he
 
begins the next. But I don't write like that, nor do most of
 
the authors I know. We just let it fly, then go back and fix
 
it later.

But if you don't want to get published, don't go back and fix
 
it. Pass that raw copy around to your friends and family and
 
let them tell you how wonderful it is for fear of hurting your
 
feelings. Then send it to the publishers and collect the
 
rejection letters. That's what I did in my younger days, and I
 
wasn't published.

It took me twenty years to learn my lesson. It would genuinely
 
make me feel good to hear that most writers aren't taking
 
quite so long.</div>

Article source: <a href="http://www.ArticlePros.com/writing_and_speaking/books/article-1660.html">ArticlePros.com</a>
 
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		About the author
		Michael LaRocca's website at http://www.chinarice.org was 
chosen by WRITER'S DIGEST as one of The 101 Best Websites 
For Writers in 2001 and 2002. His response was to throw it 
out and start over again because he's insane. He teaches 
English at a university in Hangzhou, Zhejiang Province, 
China, and publishes the free weekly newsletter WHO MOVED 
MY RICE? 

		<a href="http://www.chinarice.org" target="_blank" title="will open in new window" class=blue>http://www.chinarice.org</a>				<input type=button class=asubm value="Other articles by Michael LaRocca" onclick="document.location='http://www.ArticlePros.com/author.php?Michael LaRocca'" style="height:20px;cursor:hand">
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